A Life of Varied Endeavors

Tag Archives: altered photos

Nandina photo, Acrylic Ink, and Peridot – September Little Altars

Embelished Nandina Leaves

Catching up on the Little Altars spots.  For September’s Full Moon this was my contribution:

September. Oh, what another meandering installment!

I was first inspired more than a month ago with Kathy’s prompt of Spot H – what does H mean?  I settled on Harvest.  Started to think of fruits, vegetables, and the recipes I was using for plums, pears, apples, tomatoes. I almost posted in spot H a great recipe for a Rustic Plum Cake, but you wouldn’t have been able to read it, and only Beth would get it anyway!

I thought of an illuminated letter H, but realized that my flourishing skills (as well as picturing skills) would not be adequate.  I was also inspired by a teeny, tiny piece of flotsam on the living room floor.  It was riding on a small, dried, brown maple seed that had been tracked in, and it was a little piece of very shiny, coppery-red tinsel.  It took me SEVERAL days to realize it was from a cat toy!  But in the meantime, I had decided that the color and the shine needed to be part of the (as it turned out, not-to-be) illuminated letter, so I purchased some copper acrylic ink.

Then, with the colors of the tinsel and Harvest in mind, I headed for my photographs.  I found a picture that I took last Fall of nandina leaves on our deck –in my mind a perfect fit.  I fussed over whether it should be a soft, fuzzy print on watercolor paper, or a high quality print.  I settled for high quality on my favorite paper:  Canon Matte Photo Paper.  Then I decided to make it pop a little with the copper acrylic ink that I KNEW I was going to use somehow.  Then I had to buy a couple more colors and use them!.  In the end, the whole thing needed a bit of softening, gussying-up, and dimension, so I added a strand of peridot chips on the bottom.

This is for the gardener, Beth: an embellished photo of nandinas in the Fall!

In process (1 of 1) P1050254

June Little Altars – Simple Summer Collage

Little Altars - Summer Collage for June (2 of 2)Still catching up on the months of Little Altar projects.  Here’s what happened in June, as I wrote it back then.

This month I was inspired by a few things:  An earring that David found on the road on our morning walk.  It had obviously been run over, and though the wire was mashed, the main part was in pretty good shape and seems to be well made. I like it!

I’ve also been inspired by some collage art work in my dentist’s office.  I’ve had the opportunity to see it a few times (!), and he’s got good taste!  I haven’t tried any collage for decades, but this work made me want to approach it again.  My project this month looks nothing like the piece by Carrie Kaufman, but the mounted copper wire attachment is a pretty direct inspiration.  What I’ve found on-line by Carrie is not as delectable (to me) as the large piece I saw in person.

Lastly, it’s summer.  The hand and basket remind me of gathering flowers and harvests.  The warm colors of the basket, and the branch covered with moss tell me it’s inviting to go outside.  It’s Easy Time.  We are enjoying fresh greens, and radishes from the seeds that Peg sent. They are delish!Little Altars - Summer Collage for June (1 of 2)

Sequins for October’s Little Altars

Sequined Party Dress

Sequined Party Dress

This month, thankfully!, the trajectory from idea to end result was less wobbly.

For October’s Little Altars spot I was inspired by a beaded and sequined 1920’s dress on Antiques Roadshow.  It was the second time I’d seen that episode, and I liked the dress as much or more than the first time.  I thought it would be fun to do a miniature dress on ____ (?) with some of my “extensive” sequin collection.  Stitching was the first considered approach, but the size of the sequins in relation to the size of our October space and therefore the dress, told me that would be overkill.  Too much structure, overworked.  Been there before….

I’m not really sure how the end result finally came about.  I decided to do some testing, and the testing pretty much turned into the finished product.  I used a piece of water color paper that had been printed with the photograph I used in our February Little Altars spot (the Olympics from Ebey’s Landing).  I covered it with Glass Bead Gel (a new product for me) that I mixed with Iridescent Gold Acrylic.  (In making this, the end product always looked gold to me, but standing upright, it is definitely defined as much by the blue photo background as it is by the gold on top.)

I decided that gluing the sequins on, randomly, would actually get me the effect I wanted.  I really like what happened, although, once again, my husband is a little dismayed, and questioned why he was finding sequins all around the house.  (They stick to you!!)

I thought that Cyn’s wee folk might want to party fancy once in a while, so this is a gossamer and transparent little party dress.It’ll keep them up to mischief, even if a little chilly at this time of year!

 

Sequined Party Dress (1 of 1) P1050269

Sequined Party Dress Blue View

Sequined Party Dress (1 of 2) P1050268

Sequined Party Dress

February Little Altars

The Olympics from Ebey's Landing

The Olympics from Ebey’s Landing – digital photo and watercolor on watercolor paper with vintage glass beads

For my February Little Altars Full Moon project, I was hungry to do some bead embroidery.  An initial attempt at this less than 3″x3″ space left me feeling stuck in a rut and dissatisfied.  It was going to be a fully-bead-embroidered piece on ultrasuade.When I was about a third of the way done, I told myself this was not right.

Instead, I looked to my photo collection for my beach-and-ocean desired visual. The image at left was taken a few years ago at Ebey’s Landing on Whidbey Island, looking across to the Olympic Mountains.

I printed the photo on watercolor paper using my Canon MG6220 printer (not a high-end photo printer by any stretch of the imagination.)  With water brushed over them, the dye-based digital inks liquify quite interestingly on the watercolor paper, and can then be nicely enhanced by watercolors over them.  After a few practice attempts I got happy with the results.    After “watering” and coloring the photo, I sealed the image with archival varnish.

I wanted a little sparkle, and was still hunrgy for some bead embroidery.  I happily found some vintage two-hole glass beads – when I was looking for some other beads – and they just seemed to hit the spot.  With an awl, I made individual holes one-by-one in the 140 lb. watercolor paper, and stitched each bead on. Make a hole, stitch one end, make a second custom hole, stitch the other end.  Broke a few beads with that awl. Hanakokolele on me!

You might call it embellishment, but I’m calling it embroidery!

This is one of the practice pieces, and I like it well enough to call it my keeper.  The final piece for the Little Altars February spot can be seen (when posted) on Peg’s Getting a “Wild Hair” … Studio blogsite.

I’m happy that this is a lighter, simpler, and more fanciful solution to my original desires for this month’s project. For me, it’s a sign of progress in the letting-go arena.